In Review

In Review is a dedicated space where I share my personal reflections and critical observations from concerts I have attended. This section captures a wide range of performances — from symphonic programs and chamber ensembles to solo recitals and experimental works. Each review is shaped by a close listening experience and an effort to highlight both the strengths and shortcomings of the performance. Some of these concerts took place at major cultural events, where I had the chance to witness compelling interpretations and bold programming choices. Through these reviews, I aim to offer readers an honest and insightful perspective on the evolving concert scene and the artistic choices that define it.

A Heavy Silence Over the Tehran Symphony Orchestra: Who Will Cry Out for Rescue?

The Tehran Symphony Orchestra, facing the challenge of not having a permanent conductor, continues to persevere. Despite the absence of consistent leadership, the musicians remain dedicated to preserving the institution’s legacy and contributing to Iran’s cultural and musical heritage.

Disappointment in the Hall: AISO Symphony Orchestra Falters in a Crucial Test

In a bold yet uneven concert at Tehran’s Vahdat Hall, Maziar Younesi and the AISO Symphony Orchestra grappled with balancing tradition and innovation, delivering a technically flawed performance of Bruckner’s Symphony No. 7 and Kasteh Quartet’s Dirand, casting doubt on Younesi’s readiness for his upcoming Tehran Symphony Orchestra appearance.

Technical Issues and Emotional Contrasts in Rayen Wind Orchestra’s Concert

The Rayen Wind Orchestra’s October 15-16 concert at Vahdat Hall offered an ambitious blend of global and Iranian sounds but struggled with emotional inconsistency and technical flaws, highlighting both the potential and challenges of genre fusion in orchestral music.

The National Orchestra’s Captivating Performances with Acclaimed Vocalists

In its second performance of the year, the National Orchestra of Iran, led by Homayoun Rahimian and featuring vocalist Hessamoddin Seraj, delivered “Mah-e Man” (My Moon), blending Persian poetry with classical melodies. The concert showcased the orchestra’s improving precision, despite ongoing challenges in cohesion and balance.

Global Masterpieces or Televised Gimmicks? A Critique of the Navaye Aftab Orchestra’s Film Music Concert

The Navaye Aftab Orchestra’s June 21 concert at Milad Tower, intended as a tribute to iconic film scores, fell short with uneven performances, amateurish arrangements, and a finale that veered into celebrity banter, leaving many attendees disappointed.

Rhythm: The Achilles’ Heel of the National Orchestra

In a rare spring concert on June 8 and 9, the National Orchestra of Iran, led by Homayoun Rahimian and joined by Abdolhossein Mokhtabad, filled Vahdat Hall with nostalgic melodies and strong vocals, despite rhythmic issues that pointed to the need for greater ensemble cohesion.